I’ve been reading The Woman in White by Wilkie Collins for the last few weeks. It’s one of those massive tomes that’s been on my to-be-read list for years. Last Christmas, I got a copy of it in a recently re-released, and super fancy binding. I pulled it off the shelf a couple weeks ago, then got fed up with the tiny text in the paper book and switched to the free Kindle version.
Then I got tired of that, and switched back to the paper book. I went back and forth for a while, but at the halfway point through the book, paper wins. I love this binding, a solid stitch that shows no sign of tearing. I like the rough feel of this book’s cover in my hands. The book is a bit on the heavy side at almost 700 pages, but has wonderful thick paper. Each page turn matters. I also like the extensive footnotes, and the silk bookmark. All around it’s a much more fitting experience for this 150 year old text.
One other thing: I had no idea that I have a terrible reading habit until after I started reading on Kindle. At the beginning of a chapter, I like to flip ahead to see how long that chapter will be. This works for sections of a book too. The Woman in White is broken into three massive sections, and getting to the end of one is an accomplishment to be much anticipated. This quick flip ahead, and then return to current page, is almost impossible with the Kindle. Books there are one long endless stream of text, which is a bit intimidating when reading a brick like this one. Also Collins, like many of his contemporaries, could be a bit overly verbose in his descriptions. Those sometimes require a quick scan ahead too.
This edition of The Woman in White is part of the fantastic series of Penguin hardback classics designed by Coralie Bickford-Smith. I love these books! They’re the future of paper. Nice, clunky things with solid bindings and creamy paper. Though yes, the text would do well to be a bit bigger.